Press and Essays

Laura Evans: Through My Fingers
April 5 – May 2, 2023
Boston Sculptors Gallery
Boston, MA

Press Release >

Review
"At Boston Sculptors Gallery, two artists explore language — lost and found"
by Cate McQuaid, Boston Globe Correspondent, Updated April 25, 2023, 1:10pm

"Marcel Duchamp put a bicycle wheel on a stool in 1913, opening up artistic discourse on the resonance of found objects. Evans' works in "Through My Fingers" are fashioned from tools, cups, and other stray items she picked up over the years and resolved either to use or let go. These pieces feel like relics of the unspoken — meanings and hunches floating just outside language."

Read full review >

By Her Hand
October 8 – November 5, 2022
Eckert Fine Art + Consulting
Washington Depot, CT

Press Release >

Catalog >

Laura Evans: Hold In/Pour Forth
February 24 – March 28, 2021
Boston Sculptors Gallery
Boston, MA

Press Release >

Exhibition Essay by Barbara O'Brien
"In Greek mythology Athena is the goddess of wisdom, war, and the arts—a complex constellation of arenas that shed light on the both the visual and conceptual vocabulary Evans has developed in this new sculpture series. While the body of a woman is seen to represent ideals, it also holds a complex interior life. The voice of these sculptures is held still with a momentum that seems to make certain an eventual transmission of something held deep inside that will no longer be silent or still."

Read the full essay >

Laura Evans: Greater Than
May 9 – June 10, 2018
Boston Sculptors Gallery
Boston, MA

Press Release >

Review
"Laura Evans: Great Than, Boston Sculptors Gallery"
by Stace Brandt, Delicious Line, May 31, 2018

"Evans's objects possess a quiet yet unmistakable vitality. They also have humility, though not without a Duchampian wink."

Read the full review >

Laura Evans: The Aching Web
February 24 – March 27, 2016
Boston Sculptors Gallery
Boston, MA

Press release >

Exhibition Essay by Susan Stoops
"With intelligence and intuition guiding her, Evans has transformed the common tree branch into a complex network of forms and forces, which in its many starts, turns, and pauses, embraces the exhilaratingly yet achingly unpredictable nature of life lived in her studio and the world. "

Read the full essay >

Review
"BOSTON: Laura Evans, Boston Sculptors Gallery"
by Christine Temin, Sculpture, September 2016

"As you moved around the room, the composition of the installation changed, through there was always a quasi-comical aspect to the works...Evans created a delightful setting that spurred the imagination."

Read the full review >